In this painting, I constructed a fantastical world of over‑blooming. Breaking the boundaries of seasons, geography and climates, I bring together plants and fruits from all corners into one space. All forms of life bloom unrestrainedly, with small creatures immersed in this lush, exuberant abundance.

However, this seemingly magnificent scene is not an ideal state of nature. When species from distinct environments are forced to coexist, such excessive vigour mirrors nature disrupted by human activities. Through this rich, vivid imagery, I hope to provoke reflection on ecological balance, and call upon us to respect the innate growth rhythm of all living things, so we may collectively preserve an authentic and healthy natural world.

A pink lotus blossom sits on the left side of the composition, its petals rendered in soft, blended washes, with the seed pod detailed in lively brushwork. The lotus leaves and stems are splashed in pale green-blue ink, light and translucent in tone. The right side is left largely blank, with spare, economical lines — the interplay of presence and emptiness creating an atmosphere of quiet elegance, capturing the gentle, poetic mood of a lotus pond in classical Eastern aesthetics

Cacti and blossoms "grow" from a blue porcelain pot, as butterflies and insects wander through — still life meets fantasy.

This 3D piece is made from shrink plastic, plastic bottles, acrylic paint, and board. Researching ocean pollution, I found plastic to be a core culprit — both the problem itself and a material we encounter everywhere in daily life. My inspiration comes from ocean waves, meant to reveal pollution that exists in the sea but often goes unseen. 

This work reimagines Zhuhai’s Sun and Moon Shells not simply as architecture, but as forms emerging from the coastal landscape. Their shell-like silhouettes sit among waves, birds, clouds, and small boats, blurring the boundary between the built and natural worlds. Through rough, monochrome printmaking textures, I wanted to capture a city shaped by the sea-where architecture does not stand apart from nature, but becomes part of its rhythm.

​This work draws on the intertwined growth of nature, weaving tangled lines with the collision of warm and cool color blocks to fuse emotion with form. Like vines and foliage coiling together, light and shadow layered upon each other, brush and ink become a bridge between inner feeling and the natural world. Through spontaneous, unstudied strokes, the work becomes an act of self-reflection — a quiet resonance between spirit and the cosmos